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lyrics

“Seventeen. Two hundred and fifty-nine.” When I was in the army stationed in Southeast Asia this is what I'd hear on a program that came on for a few minutes every morning on Air Force radio. I asked my friend "what is that?" He said, "it's better if I just show you.” So we got a taxi and rode out of town to a newly constructed asphalt road that led straight into the heart of the jungle. We came to a 10 foot tall hurricane fence and a big gate. The guard waved us past. Behind the gate was the main drag of what looked like an Old West cowboy town movie set with saloons along each side of the street. He said, choose one. So we walked into one. Inside there was a rock band playing full tilt and a lot of women sitting around dressed in short skirts and low-cut blouses. One walked up to me and said, “you want to dance G.I.?” On her blouse was a plastic button with a number. My friend said, “ask her about the number.” I said, “what's that number for?” She said, “You hear my number on radio. I number one. I number one.” I said, “no. No. What are the numbers on the radio?” She said, “number 10, number 10 no good, medic check for VD every week. I number one.” My friend said, "Just another perk. Your tax dollars at work."

credits

from Waiting for the Master, released October 13, 2011

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Richard Haxton Los Angeles, California

From the middle of Mississippi, served in Viet Nam in Thailand, lives 5,000 feet from the world's oldest freeway. Searches for transcendence - or something - where science meets the spirit. Never quit fighting the war for the groove!

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